Just A Lot Of Walls – Urban Art In Lisbon

  Just A Lot Of Walls –  Urban Art In Lisbon

“I was here but now I’m gone. I left my name to carry on. Those who liked me, liked me well. Those who didn’t can go to hell'” The bathroom wall

Like any subculture, street art has its own slang. You don’t need to know it to appreciate the art but some words that pop up are spot jocking (putting your work up next to a popular artist for some attention), child style, tiling, (both self-explanatory ), reverse graffiti (creating art by taking off and not applying paint) and one that I heard a lot on my street art tour of Lisbon – intervention. (Sainer)

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It’s not a word I hear often unless it involves rehab. Intervention is a street art term used to disrupt public space as opposed to street art which is decorative. My  street art guide in Lisbon used the word  as a form of urban  artistic expression. Art intervention is art specifically designed to interact with an existing structure.  I guess with that definition  all street art can be called an intervention.

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The only street art tour I could find was a private tour given by the street art collective Underdogs. http://www.under-dogs.net/ They have a gallery with exhibitions of interesting street artists, affordable editions at their shared store space, and public art and community programs. They do not do group tours  and instead invest their time in promoting artists and art  education in the community. (Bicicleta Sem Freio)

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My tour guide Marina Rei shows up full of passion and enthusiasm for the art on the streets of her city.  She is excited about the artists in residence and the educational programs  she has just completed.

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Underdogs was started by a famous Portuguese street artist named Vhils.  The word underdog means to struggle against something more powerful than you. They are “underdogs pushing to be top dogs .”  (Vhils)

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The tour includes works by Alexandre Farto AKA Vhils, PixelPancho, How & Nosm, ±MaisMenos±, Finok, Okuda, Nunca, Clemens Behr, Bicicleta Sem Freio, Wasted Rita, Sainer and Ernest Zacharevic. (Clemens Behr)

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Their souvenir shop and offices share space with a paint store. Classic artists, students, serious street artists and vandals come to buy their paint. ( ±MaisMenos±,)

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Their art gallery is in an old warehouse area just starting to be gentrified. The current exhibition is by Spanish street artist Okuda.

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Street  Art started in Lisbon around 1974 when the Carnation Revolution overthrew the Authoritarian regime. Almost all  the territories became  independent.(A Lei Do Meis Forte -Nomen, Slap ,Kurtz, Exas,Lukas)

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Graffiti and tagging began with the new democracy. (Merkel’s Puppets -Nomen,Slap,Kurtz)

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Murals appeared around the city similar to those in unstable South American countries portraying the problems and the dreams. There are still references to it throughout the city.

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The old warehouses of Clube Naval de Lisboa,  are now covered in a work of art by Bicicleta Sem Freio, a group of Brazilian artists. They create murals around the world.

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My favorite work that I saw that day  was a series of girls  by Lithuanian street artist Ernest Zacharevic. He sees himself as a fine artist who paints in the streets and that is evidenced by the combination of spray paint and detailed art.  I really wanted one of these. The last time I thought about cutting a piece of street art out of the wall it was by a guy named SAMO in New York. 

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The  outdoor walls in Lisbon have become a lot of blank canvases for the artists. It is sometimes  a strong form of communication and sometimes it is quieter.  But, there is always a splash of color.

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Fly safe,

JAZ

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Street Art In Brazil

Street Art In Brazil

“Speak softly, but carry a big can of paint.” Banksy

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You don’t have to look for street art in Brazil because in cities like Rio and Sao Paulo, you will see it  every where. (Sao Paulo)

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It is part of the Brazilian culture now and a big influence on urban art throughout the world. (Sao Paulo)

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Urban Art In Brazil falls into two categories – street art for everyone to see and enjoy and graffiti writing which seems to be for other graffiti writers – with coded tags, style of letter and specific color palettes. Graffiti art has rules, specific use of materials (almost always spray paint), easy recognizable styles and a history. (Sao Paulo)

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Street art uses many different materials (paintbrush, computer generated images and spray paint). (Sao Paulo –  Beco de Batman)

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Street art engages us as we walk or drive by and see something beautiful, sad, funny or painful. (Sap Paulo)

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Graffiti art always seems like personal message that we are seeing.

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Both are subversive art movements where work is displayed in a public setting for a brief period. (Rio)

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It is always the knowing that it wont be there the next time I come that makes it more special to me – that it wasn’t painted to be there forever. (Sao Paulo)

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Tagging is different from graffiti. It is known in Brazil as pichacao. (Rio)

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The tagger wants to see his name on a wall and has no interest in aesthetics. It is all over Brazil as well. (Rio)

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Brazil’s street art is very diverse and always willing to challenge the political, environmental and social climate. (Rio – Lapa)

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Urban art is different in Brazil then in other countries because it is everywhere with an abundance of styles, colors and techniques. (Sao Paulo)

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In March 2009, the Brazilian government passed a law making street art and graffiti legal if done with the consent of building owners. (Sao Paulo-Kobra)

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It is all around from the favelas to the upper class neighborhoods with consent or without. (Rio)

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The walls that exist all over the cities whether urban topography or security provide huge spaces for painting. (Sao Paulo)

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The cities of Brazil are a giant canvas for the self-expression of their artists. (Sao Paulo)

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Obrigada and Ciao,

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JAZ